aperture | Chase Jarvis

Apr 09

4 Great Ways to Get the Look of Film in Your Digital Darkroom

A lot of us still shoot film for love and for fun. I'm often dragging around my Polaroid 600, my Hassie 500cm, some Lomo stuff (or these other film cameras)... but it's next to impossible to have clients get fired up to shoot film in a professionals setting. They wanna see their picture NOW. Well, if you've ever been in a pickle over how to get... read more ›

Mar 23

New Twist To Iconic Photographs [Abe Lincoln + Others Via Fresh Photoshop Colorization]

Might have caught this earlier, but here's a fascinating look at iconic portraits that were originally shot in black and white that have since been colorized in Photoshop. Normally, I don't fall for this stuff, but this is incredibly elegant I'd say. Seeing Abraham Lincoln in color just seems to make him more a little more "real". Same goes for the others above. These guys/gals look like a bunch... read more ›

Oct 10

Preset Photo Adjustment Follow Up — Debate is Split, Scott Chimes In

It’s been gratifying to see that the great preset debate from my earlier post is not isolated to this office, instead there seems to be a lot of interest in this topic and a fairly even split in favor of and against using adjustment presets. The majority of comments landed somewhere in the neighborhood of “I use them in moderation in order to get initial settings or ideas, then custom tweak from there.” This is... read more ›

Oct 05

Preset Photo Adjustments: Instant Gold or Drab Repetition?

Scott here. Many of you know that I'm the primary retoucher here around the Chase Jarvis studio. I was surprised to get into a fairly spirited debate the other day with some of my co-workers. The topic? Adjustment presets and plug-ins in Aperture or Lightroom or Photoshop. I’ve got a strong opinion on this, but this experience has once again reminded me that there are a thousand ways to skin a cat and that my... read more ›

Mar 03

Photo Editing 101 – Surviving the Tidal Wave of Data

[Scott here with another guest blog post. Today I hope to save you some time and heartache by giving you the nuts and bolts of editing large volume shoots...] Painful memories I have: My first breakup, my first deceased pet, my first time moving, but perhaps most painful of them all is this; my first attempt at editing 15,000 photos. Such overwhelming volume, such slow progress, so many similar photos. Why, oh why, did they... read more ›

Jan 11

Aperture vs. Photoshop in B&W Post Production: More Notes From Scott

-------- Note: NO, we didn’t have too much eggnog and accidentally re-publish a post from just before the holidays... We did, however, get a TON of reader requests from a lot of y'all who are using less and less Photoshop, and asked Scott if he could get similar results in Aperture or Lightroom. Short answer is YES. To that end, Scotty re-worked... read more ›

Sep 27

Workflow and Backup for Photo & Video on ChaseJarvis LIVE Tuesday!

Without a doubt, one of our most popular posts of 2010 has been this post where we outline in detail our photo and video workflow from capture to delivery of digital assets to clients. Every step is included in that post or video, but EVEN THEN we had a huge number of questions about it. As in hundreds and hundreds. Questions that are important and deserve answers. That's the reason we've decided to dedicate an... read more ›

Jun 22

Chase Jarvis TECH: Complete Workflow and Backup for Photo + Video

This may well be the most important behind-the-scenes video we've made to date. Not because it's fancy or sexy, but because it covers arguably the most essential information on a set of topics that every photo and video person should understand: workflow, storage and backup of your precious images. This video covers all the ins and outs, the theory and the details of our complete photo and video workflow from capture to archive... read more ›