Photos of dead mobsters lying prone, surrounded by articles of clothing and police chalk markings. The crime scene, the murder as art. Equal parts photographer and old-school sleuth Arthur "Weegee" Fellig had a otherworldly guidance that lead him straight to fresh crime scenes, like the plastic thing on a Ouija board. Working the streets of New York City in the 1930s and 40s, he consorted with... read more ›