Chase Jarvis Chase Jarvis
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Chase Jarvis Chase Jarvis
  • Photos
  • Projects
  • About
  • Blog
  • Book

About Chase

Chase Jarvis is well known as a visionary photographer, director, and social artist. He is widely recognized for re-imagining, examining, and redefining the intersection of art and popular culture through still and moving pictures. While commercial work for brands like Nike, Pepsi, Volvo, Reebok, Apple, and Red Bull have earned him recognition from the International Photography Awards, The Advertising Photographers of America, Prix de la Photographie Paris, and numerous other industry buzz centers, his recent push into personal work and fine art has rapidly gained the attention of curators and art critics, mainstream audiences, and celebrity circles worldwide. The online hub for Jarvis and his work is at http://www.chasejarvis.com. Follow him on Twitter at http://www.twitter.com/chasejarvis
Sep 10

Much Afoot and–Oh Yeah–Canon vs. Nikon

Alas, there is much afoot at the moment. I know a handful of things:1. I'll be delivering the keynote address in Atlanta on October 2nd for the PDN series On The Road. It just so happens that it coincides with the very cool annual festival Atlanta Celebrates Photography. Consider registering for one of the On the Road tour stops. If you're tired of hearing me yap, at least check out some other photogs I enjoy,... read more ›
Aug 26

Assignment: Portraits With NO Communication

BackgroundOK. My last post was about how good verbal communication skills are important for success in commercial photography. It was a quick diatribe highlighting how communication is essential at every step of the way while making a good photograph. If you missed that post, go read it now. If you've already read it, then you know that communication is an important part of being a good photographer.So that's all good, but we're past that. More... read more ›
Aug 21

Ironically, Good Verbal Communication = Success in Photography

I really enjoy connecting with aspiring, or student photographers way more than I do with old school, jaded pros. There's usually a good spirit in there, even if some of the questions or attitudes are naive - they're at least fresh and, well, bouncy. I often rap with students from The Brooks Institute, Art Center, Santa Fe Workshops, Parsons, Seattle Central, RIT, etc. Sometimes I'm mortified with the b/s they have to endure (instructors, keep... read more ›
Aug 19

Photography 2.0: Seats For Photoshelter Event Going Fast

Mark your calendars! The smart folks over at Photoshelter.com --that cool site you've been hearing a lot about lately that allows you to archive, distribute and license images directly-- have just put together a neat-o six city tour aiming to inform, unravel, and discuss what they're calling Photography 2.0: The Business of Photography in the Digital Era. And get a load o' this: it's FREE.The format looks to be really engaging, down-to-earth and accessible with... read more ›
Aug 15

Chase Jarvis TECH: POV Photography

The Backstory Innovation is key to making visible, recognizable images. And there's almost always an option to photograph something from a cool angle or a unique perspective. One of my favorite techniques to take advantage of this involves creating killer point-of-view (POV) images. While the thought of strapping a large, expensive camera to a model, your buddy, a bike, car, etc, may seem like nothing more than a good way to break some gear, this... read more ›
Aug 05

One Camera That Money Can’t Buy

I was just reading/responding to a great discussion from an earlier post herein about buying point and shoot cameras (43 comments and rising), when an intriguing video clip I saw a while ago popped back into my head. I figured the older post with all its techi-ness and commercialism (it features nearly every brand including Nikon, Canon, Leica, Pentax, Rioch, Panasonic, Fuji et al) would juxtapose nicely against this post featuring a new, entirely different... read more ›
Jul 27

Interview on StudioLighting.net

Many topics in photography, design, or art are perfect for the bite-size chunks we expect from blogs. Other deeper concepts such as creative vision, business strategy, motivation, etc, are complex and often require more than a couple paragraphs in a column. That's why the nice guys over at StudioLighting.net have begun posting audio files from full-on interviews with some photographers. They ask probing questions that demand longer, in-depth answers. I was happy to spend an... read more ›
Jul 26

Cornicopea of Speedlinks

-I love that Mikhail Gorbachev will soon be a poster-boy for Louis Vuitton. StateoftheArt tells us the campaign is coming in September. Smart advertising I think (funny smart, not Einstein smart). What does this say about our appetite for celebrity? -Please sign this digital petition to make it easier/possible to continue to photograph and film in NYC. Mayor Bloomberg's Office of Film, Theater, and Broadcasting is set to begin requiring a $1 million insurance policy... read more ›
Jul 22

Strobist Lighting Seminar in Seattle

I typically don’t do public service announcements on this blog, but occasionally I feel compelled to do ping you about something news-y when it's relevant. The last one I posted was to remind you to change your clocks over for daylight saving time (I’m the guy who can blow that sort of thing...) This next PSA is about one hundred times more important than showing up for work on time the day after changing your... read more ›
Jul 17

Chase Jarvis RAW: New Zealand Spring

Crazy camera angles, helicopter logistics, truckloads of gear, 15,000 miles and a crew of more than 30 people... As the saying goes, it takes a village. Hopefully you’re familiar with my ongoing video series entitled Chase Jarvis RAW, where I attempt to highlight the underbelly of commercial photography and how much effort goes into creating the images you see in advertisements, magazines, brochures and online. In this latest video, Chase Jarvis RAW: New Zealand Spring,... read more ›
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