Is it bigger than a breadbox? No. It’s my new Olympus Pen E-P2 camera kit, and it’s awesome.
As the guy who manages the inventory of equipment here at Chase Jarvis Inc., it’s fair to say that I know a thing or two about what it takes to pull off a photo shoot. Every time we roll down the street or fly around the world, I pack and move cases of gear. No matter how light we’re packing, we tip the scales at at least 100 lbs.
In my free time I have access to any and all of this equipment. A dream come true for any photographer. Unless you spend your free time deep in the mountains or on travel adventures where an itinerary is unheard of and solitude is the end goal. In that case, there’s no place for hundred pound cases. Hell, an extra 20 pounds in the backpack can have a major impact.
This fact has always put me at a loss, oscillating between DSLR kits that feel bloated and obtrusive, and high end point and shoots like the Canon G series that while impressive for their size, just don’t have the gusto when you’re in the trenches. What to do, what to do.
Well, like many, I took notice when Panasonic and Olympus came out with offerings in the new and exciting Micro Four Thirds format…. On paper it sure sounds good. Teeny tiny camera bodies, cool lenses, a legitimate sensor, hd video, and maybe, just maybe, a fast shutter and motor drive. Worth checking out, I thought to myself. Actually, I nerded out over each new release with anyone who would sit still long enough for me to go through the hmmms and haaaas aloud at their desk.
The end of October found us working New York City and I finally got to put my grubby hands on the cameras I had been reading so much about. On my way in to B&H I was convinced that the Panasonic GF1 was going to be the ticket. On my way out I was converted. The Olympus E-P2 looked cooler, felt better, and had less shutter lag. Let me say here that these are untested claims, only my reaction to a hands on comparison. There are other websites that dissect the technology. I’m here to talk about my feelings. That’s what the doctor said I should do…
So I had picked the body, what about the rest. One of the fun things you can do with these cameras is to buy the competitor’s 4/3 mount lenses. This is awesome except when you’re trying to decide what to put in your kit, then you have to do some real analysis of this lens versus that, the package price of this kit versus that one, the extra third stop in the aperture here versus the more compact design there. I scratched my head for some time before I decided on a kit that looks like this:
Olympus ED 14-150 f/4.0-5.6 Lens
Olympus VF-2 Electronic Viewfinder (expensive, but necessary outdoors)
3 SanDisk 16 GB Ultra SD Cards
Lowepro Rezo 110 AW Camera Bag
That little kit gives me respectable speed (3+ fps with very little shutter lag), RAW files of 12 million good looking pixels, decent 720 video, an effective lens range of 28-300 (micro 4/3 format has a lens factor of 2), good ISO performance to 1600, and a few days of shooting before I need to see a charger or computer. Sick. Cooler still? The fact that I can even pony up for the 9-18 lens when I feel like it and it will also fit easily in my 7 inch camera bag. So much damned awesomeness, so little space.
How’s it shoot? I love it. A lot. Feels good in the hands, responsive, quick adjustments, quick shutter. At first I was trying to use it one handed like a point and shoot because it’s so compact. I quickly abandoned these erroneous ways and started shooting it like a real camera, because that’s what it is. A real camera with real user controls in a very small package.
Any nitpicks? The focusing leaves a little to be desired, the AF is a little tricky to figure out at first, and the manual focusing is tough even through the digital viewfinder. There is a focus assist function, but it’s horribly distracting when trying to compose an image. I also found myself accidentally changing the ISO, White Balance, Focus Mode, and Shutter mode when spinning the control to change the shutter speed in Manual mode. That was solved by turning off those functions, they can still be accessed by pressing the center control button.
Verdict. Booyah! Had a need, this camera filled it with power and panache. Me likey.
So it’s emerging from winter into spring/summer here in Seattle, and my favorite thing to do is head for the hills, climb, ski, and document my adventures. Here are the fruits of my labors and those of this tough little workhorse. I don’t get attached to gear very often, but I think this one has already earned some shelf space in the permanent collection.






















Interesting look on the Pen camera! I had my doubts about it, but I think it’s pretty good the way you present it 🙂
Scott,
For the first few minutes I was reading your article racking my brain on Panny vs Oly, which lenses to get for my purposes, then was sidetracked and blown away by your kickass photos.
Love them, do you have your own personal blog? Ski mountaineering is something I really ought to learn some time.
Skunk
Skunk,
Thanks! Glad you like my images. I’d love to point you to a bunch more work online, but in reality I’ve got so many irons in the fire here at CJ Inc, I haven’t made the time to build a site for my images. Your kudos are a strong motivator to do a little more sharing. Cheers!
These pics are better than Chases’! The camera looks like a decent alternative to the hefty dslrs.
Is Chase jealous of your talent? 🙂
Still lusting over these but not ready to pull the trigger yet. Thanks for a post that adds fuel to that fire. 😉
Wow, I gotta say, I had my doubt about the 3/4 sensor cameras, but your pictures have certainly proved me wrong, I may actually consider getting one. Now, I do a lot if sunset beach photography and if I do get a 3/4 I’d most likely want to get an external flash as well. Could you suggest a few that might pair well? And if they can be attached to a remote transmitter that would be even better. Thanks.
JES, a couple of thoughts on the flash. First, the EP-3 is coming out soon with an on camera pop-up flash that seems pretty exciting. As to external flashes, you should be able to remote trigger with a transmitter on the hot shoe. I’d probably use a nikon SB900 since that’s what I’m most familiar with, but in honesty I’ve never tried to tie a flash to this camera since when I want to light a set I generally bring out the bigger guns.
The E-PL series of cameras has a pop up flash built in. They also have full wireless TTL support for Olympus flashes such as the fl-36r. These cameras are identical to the EP series in terms of image quality, the major difference is build quality. Also when looking at primes for this system one should really consider the panasonic lenses. The 14mm 2.5 is great and the 20mm 1.7 is a must own. These lenses are fully compatible and have faster autofocus.
Welcome to the mini camera world of m4/3 🙂 i’ve been using ep2 myself for around 3 months with 14-42 lumix kit lens (they are awesome when stopped down) and old nikkor lens for portrait (50mm 1.4 ai) with adapter. I leave my D300 for heavy lifting (high speed flash) where most of the time i use ep2 for casual shot (when hanging out with friends n family). The result are comparable to my nikon in good light. For low light i use adapted nikon 1.4 lens with IBIS on for low iso goodness 😉
hM