reads
In this series, we’ve seen Tarantino’s FROM BELOW, Wes Anderson’s FROM ABOVE, a mash-up of BREAKING BAD POVs and the final perspective piece of this series of posts, compiled from many well-known films, is the most omniscient of them all: The God’s Eye View.
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Thanks to Brian Carroll for putting this together for our enjoyment.
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My New Book Is Here!
This book is a powerful compass for embracing risk and creativity in all aspects of life. Chase shows us how to step out of our comfort zones and become who we were meant to be.
SOPHIA AMORUSO
Serial Entreprenuer
NYT Best Selling Author of Girlboss
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My New Book Is Here!
This book is a powerful compass for embracing risk and creativity in all aspects of life. Chase shows us how to step out of our comfort zones and become who we were meant to be.
SOPHIA AMORUSO
Serial Entreprenuer
NYT Best Selling Author of Girlboss
BUY NOW!
Woooow sir u r Amaszing may u continue to speak 5 truth God bless u sir
The entire series & specially the “breaking bad POVs” and this post are incredibly inspiring. Its like a fresh look to begin with for all of us who are into motion photography of any means. Absolutely fantastic! Thanks for bringing this up Chase!
This was fantastic. Now I have to watch the others, Who did the music? They were good. ffm
Thx for sharing this awesome serie of POV’s, very cool 😀
I enjoyed Enter The Void, directed by Gaspar Noe, not only for the God’s Eye view (several clips included in this compilation), but many scenes were shot from a POV that featured the back of the character’s head the whole time. I would say one of Gaspar Noe’s tricks is to shoot in a way that most directors/DPs would consider a mistake, or just the test footage that was shot while they were getting the camera set. In my opinion, it breathed life into the films that wouldn’t have been there otherwise.