Chase Jarvis Chase Jarvis
  • Photos
  • Projects
  • About
  • Blog
  • Book
Chase Jarvis Chase Jarvis
  • Photos
  • Projects
  • About
  • Blog
  • Book

Observing a Meth Lab & the Chemist: Breaking Bad POV – Part III [perspective]

If you like my earlier post on Quentin Tarantino’s FROM BELOW perspective and Wes Anderson’s well-known perspective of FROM ABOVE– check out another one of our favorite examples of perspective here in the studio: the work behind the series Breaking Bad. We all love this show. The camera work and directing is nothing short of brilliant – and these POV shots demonstrate myriad ways a director can introduce a setting, scene or sentiment.

I’ll be featuring more of these pieces today. Stay tuned.

___________________________________
These exist thanks to the work of Kogonada.

Related Posts

10 Things Every Creative Person (That’s YOU) Must Learn
051026_ChaseJarvis_einstein_writing_vlrgwidec
Writing Makes Photographers More Creative — 5 Easy Tips
Daniel Pink: The Power of Regret
Chris Hutchins of Chase Jarvis LIVE
Chris Hutchins: All the Hacks to Maximize Your Life
Chris Burkard on Chase Jarvis LIVE
The Wayward Path of Photographer Chris Burkard
Make Your Message Heard with Victoria Wellman

8 replies on:
Observing a Meth Lab & the Chemist: Breaking Bad POV – Part III [perspective]

Comments navigation

Next
  1. Michael Poganiatz says:
    September 1, 2012 at 4:55 am

    Looks like a lot of GoPro use 🙂 I like it!

  2. Mark says:
    August 31, 2012 at 5:53 pm

    Breaking Bad has some of the best cinematography. Period. The scene in the show last night in the beginning with the outstretched desert with Walt, Jessie, and Mike in that triangle was thoughtful. The last scene with Mike and Walt was haunting. Panning out with the beautiful light and Mike falling into the grass quietly was a scene to make you think.

  3. james says:
    August 31, 2012 at 4:03 pm

    Almost all of these are not POV shots. They may be interesting but they are clearly not Point of View shots. Not to mention this season’s lighting is far too contrasty. Too much

  4. Dearth says:
    August 31, 2012 at 4:00 pm

    Here’s a good one on Kubrick’s one-point perspective. http://vimeo.com/48425421

  5. Phil says:
    August 31, 2012 at 12:52 pm

    I’ve done this before in a shopping cart. Its very cool anyways! I like these shots.

Comments navigation

Next

Comments are closed.

BUY NEVER PLAY IT SAFE NOW!

Get weekly, curated access to the best of everything I do.

Popular Posts

weavy logoWeavy FAQs for Creative Professionals: Does it live up to the hype?
davinci resolve logoDaVinci Resolve: The Honest Review for Creative Pros
style xfer thumbHow to Clone Any Image Style With Nano Banana Pro & Weavy (style transfer)
weavy nano banana fully restyledChange the Pose of Any Photo with Nano Banana & Weavy
meta ai dockMeta AI: Is it the “free Midjourney”? My in-depth review for creative pros.
Asset 3davinci premiereAdobe Premiere Pro vs. DaVinci Resolve: The Honest Breakdown
The Best Weavy Alternatives For Creative Pros (free and paid)
weavy floraWeavy vs Flora: Which is better for creative pros?
vans shot 1Create A Virtual Product Shoot In Weavy & Nano Banana (fashion editorial)
weavy thumbWhat the heck is Weavy (Figma Weave)? The 100% honest review…

© 2024 Chase Jarvis. All rights reserved.