Every so often, I discover or am reminded of tectonic shifts in photography that seem to be little-known by the exploding world of photographers. No harm, no foul; but in those cases, I feel feel a social + moral desire (obligation?) to occasionally point to these shifts. One such case is New York's Photo... read more ›
2.5K reads
May
14
Feb
06
Photos of dead mobsters lying prone, surrounded by articles of clothing and police chalk markings. The crime scene, the murder as art. Equal parts photographer and old-school sleuth Arthur "Weegee" Fellig had a otherworldly guidance that lead him straight to fresh crime scenes, like the plastic thing on a Ouija board. Working the streets of New York City in the 1930s and 40s, he consorted with... read more ›
1.4K reads
Aug
18
An established photographer has his or her own style. It's no surprise that this is what makes each artist and their work unique. To underscore this point one only need to dig through image archives once in a while to see how different photographers have interpreted the same subject. The findings are powerful. Photographs of people are best for this exercise, and perhaps no subject is more alluring than Andy Warhol, who--perfect for our analysis--... read more ›
3.9K reads