Chase Jarvis Chase Jarvis
  • Photos
  • Projects
  • About
  • Blog
  • Book
Chase Jarvis Chase Jarvis
  • Photos
  • Projects
  • About
  • Blog
  • Book

Deconstruct This Photo 4.0 – Tell Me What You Think

black-ballet

I learned to light after years of deconstructing the work of other photographers. And I know from your previous feedback that you guys are fond of these posts, so let’s dig into another one.

How did I make this picture?
Is it a lucky snapshot?
Is it lit?
If so, how?
The camera Settings?
The direction?
Post production?
Whatever details you think are needed to make this image.

Looking forward to you trying to pick this apart… I’ll reveal everything in a followup post. The person who gets the closest gets… …a chest bump and a pizza, or signed book or something. Don’t be shy. Let er rip.

Related Posts

10 Things Every Creative Person (That’s YOU) Must Learn
051026_ChaseJarvis_einstein_writing_vlrgwidec
Writing Makes Photographers More Creative — 5 Easy Tips
Daniel Pink: The Power of Regret
Chris Hutchins of Chase Jarvis LIVE
Chris Hutchins: All the Hacks to Maximize Your Life
Chris Burkard on Chase Jarvis LIVE
The Wayward Path of Photographer Chris Burkard
Make Your Message Heard with Victoria Wellman

319 replies on:
Deconstruct This Photo 4.0 – Tell Me What You Think

Comments navigation

Previous
Next
  1. Polo says:
    May 4, 2011 at 10:48 am

    Two lights, one key light (left of pic) and a rim light (right of the pic) f11 and 1/400s
    You shoot in burst mode so this image is the best of a series. Postproduction: add contrast
    Cheers! 😀

  2. Danny Bailey says:
    May 4, 2011 at 10:24 am

    Two Strobes

    Left high pointed down through soft shoot through

    Right low pointed up through soft shoot through

    F 11 – 50mm lens – 1/500th sec shutter

  3. MG says:
    May 4, 2011 at 10:20 am

    How did I make this picture? -Feels like it is a medium-format camera

    Is it a lucky snapshot? – Perhaps, but due to a process. I guess more importantly, you let the subject do her thing and tried to capture the moment naturally vs. having it staged.

    Is it lit? – Yes.

    If so, how? – Camera left is lit from the top of the subject while the right is lit from the middle-bottom-back

    The camera Settings? – Shallow depth of field, multiple exposures. fast shutter speed, low ISO (suggesting a fast lens)

    The direction? – Subject is arcing right (towards the photographer). Photographer is to the left of the subject, height focused somewhere around shoulder and neck level

    Post production? Yes. Minimum – but yes, maybe to bring some detail out of the face shadows

    Whatever details you think are needed to make this image. I would need to gauge the subject’s style, jump and “hang time” and try to ascertain the most dramatic angle. Consistency of the lighting would be key here, giving the dramatic shadows against the black back-drop.

  4. Stevens says:
    May 4, 2011 at 10:05 am

    2 lights and shot through glass on which she was standing and you are obviously shooting from the floor.

  5. Tom Hoover says:
    May 4, 2011 at 9:58 am

    Just to add something different…

    I think the camera was a D3s running 8 fps or more. You turned the strobes down to get shorter flashes thus catching the motion. We know strobes from Elinchrom and others will keep up with the frame rate. Shutter speed doesn’t mean much, the lights are doing the work.

    This lets the dancer do more than just jump in one place. You get to pick the frame you like.

    Also, if you knew the final picture was going to be B&W, ISO doesn’t mean much either. Black and White lets you bump the ISO without compromising the image quality…. actually a little ‘grain’ looks good.

    However, too high an ISO and you would catch to much ambient light. Balance ISO and a short flash duration to stop the image. Also, a little ambient makes it easier for the dancer.

    Looks like two lights, left and right and you shot from slightly below.

Comments navigation

Previous
Next

Comments are closed.

BUY NEVER PLAY IT SAFE NOW!

Get weekly, curated access to the best of everything I do.

Popular Posts

Gary Vaynerchuk on Chase Jarvis LIVEGary Vaynerchuk’s Playbook to Turn Your Passion into an Empire
affinity_vector_poster_urlAffinity Studio vs Adobe Creative Cloud for creative pros: It just got real
midjourney for photographersMidjourney for Photographers: A Professional’s Field Guide
Tim Ferriss on Chase Jarvis LIVETim Ferriss’s Rules for Rigging the Game and Building Unstoppable Momentum
20190530_CJ_LIVE_Ramit_Sethi_EOSR_8067-webRamit Sethi’s Playbook to Define and Fund Your Own ‘Rich Life’ (as seen on Netflix)
20251013_CJLIVE_BreneBrown_Revisit_Thumb_16x9_v2.5Brené Brown Revisited: The Courage to Belong in a Divided World
nano banana deskNano Banana (Google Gemini) 101 for Photographers
Héctor García and Francesc Miralles smiling, with bold text in the center reading '4 Steps to Discover Your True Purpose' on a black background. Framed with a yellow border, creating a high-contrast, engaging design.Why You’re Not Finding Your Purpose
20250405_CJLIVE_SeeingWhatWeHaveBeenTaughtToIgnore_Micro_Thumb_16x9_v2.5How to Reconnect With the Intuition You’ve Been Taught to Ignore
20250505_CJLIVE_ChrisGuillebeau_Thumb_16x9_v2.5You’ve Never Heard of Time Anxiety But You Definitely Have It

Daily Creative Projects

© 2024 Chase Jarvis. All rights reserved.